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Writer's pictureChris Head

How does a director work with a stand-up comedian/ solo show performer?

Here I am watching a writer/ performer ready to give feedback and notes after the show!

Working with a director as a stand-up comedian, or a writer/performer of a solo show, is a distinct form of creative relationship.


When I work as a director on a stand-up show, and any show with a writer/performer, there are many differences from the role of director of a theatre play. The director's work with a stand-up/ solo show writer/performer can include:


  • Initially acting as a dramaturg to draw out themes and ideas for the show, help craft a title, and help shape the publicity angles.

  • Helping the performer select, rework, and develop material.

  • Helping the performer find a new direction and reach a whole new area of material.

  • Giving objective feedback on material that is not working – and helping get material to work.

  • Working closely on the structure of the show and helping the performer develop the narrative and manage reveals.

  • Attending shows and giving feedback.


How does the director's role differ in stand-up comedy (or with a writer/performer) compared to conventional theatre?


  • Power Dynamic: In stand-up, and other self-authored solo shows, the power lies with the performer, and the director serves them. In conventional theatre, the director has more authority and their creative vision is primary.


  • Collaboration: Stand-up directors may act as dramaturgs, helping to shape the show's themes and structure, while in theatre, directors are often working with existing texts.


  • Material Development: Stand-up/ solo show directors often help select, rework, and develop material, and may even contribute jokes. In theatre, the script is usually fixed, and the director's focus is on interpretation and staging.

  • Physicality: Stand-up/ solo show directors are less focused on the physicality of the performance than theatre directors, who often give detailed instructions on movement and gestures.

  • Final Say: The writer/performer has the final say on all aspects of the show, whereas in theatre, the director typically has the final say on the overall production.

  • Multiple Directors: A stand-up/solo show performer may have multiple directors, each offering different perspectives. In theatre, it's more common for a single director to lead the production.


Overall, the director's role in stand-up comedy/ solo shows is more collaborative and supportive, while in theatre, the director is typically the creative leader.



For more on this creative relationship, including interviews with leading stand-up directors, see chapter 3 of my Director's Guide to the Art of Stand-up book





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